AT&T Archives Director's Cut - Now You Can Dial
This director's cut of the 1954 film "Now You Can Dial" has been enhanced with an introduction by George Kupczak of the AT&T Archives and History Center.
The goal of this film was to aid in reducing customer dialing irregularities by demonstrating the correct way to use the dial telephone. It documents the shift between operator-based connections (which were on the way out) and having to dial the phone and make the connection yourself.
The dial telephone was new at this point, although the two-letter, 5-number system was still commonplace. This film even has to explain what a ringing and busy signal sound like!
This film opens with the demonstrator pointing out the importance of correctly using the dial telephone. Correct dialing techniques are demonstrated, with an emphasis placed on the following:
Susann Shaw, the demonstrator in this film, was a popular fashion model throughout the 1940s and 1950s, making frequent appearances in the pages of Vogue.
Produced by Charles E. Skinner Productions.
The goal of this film was to aid in reducing customer dialing irregularities by demonstrating the correct way to use the dial telephone. It documents the shift between operator-based connections (which were on the way out) and having to dial the phone and make the connection yourself.
The dial telephone was new at this point, although the two-letter, 5-number system was still commonplace. This film even has to explain what a ringing and busy signal sound like!
This film opens with the demonstrator pointing out the importance of correctly using the dial telephone. Correct dialing techniques are demonstrated, with an emphasis placed on the following:
- Be sure of the right number
- Wait for the dial tone
- Refer to the number while dialing
- Turn the dial until the finger hits the finger stop
- Avoid confusing the letter "O" with the "0"
- The difference between ringing and busy signals
Susann Shaw, the demonstrator in this film, was a popular fashion model throughout the 1940s and 1950s, making frequent appearances in the pages of Vogue.
Produced by Charles E. Skinner Productions.
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